My Baby Diaper Rash And Redness In The Vinga Area

Remembering Claude Chabrol in cultural

Tomorrow the meeting will be held monthly Tertulia Cultural Cinema Scope Perdiguer in El Corte Ingles. This time the session will focus on the figure of the French director Claude Chabrol, who died a few months ago. The talk about the filmmaker will be in charge of Louis Betrán, an expert on the work of the filmmaker. Will complete the program with the screening of The Butcher (Le Boucher, 1970). I leave the presentation that has sent me by Luis Betrán.

"Claude Chabrol (24 June 1930, September 12, 2010). One of the pillars of the 'nouivelle vague' (only surviving Jean-Luc Godard and Jacques Rivette), his film is based almost exclusively on character creation. to recreate, based on literary works of greater or lesser importance or your own scripts, a reality that set in motion in front of the camera. In his words, defend the complicated simple plots with characters. The authors of reference in the creation of Claude Chabrol's characters are Alfred Hitchcock and Fritz Lang, with whom he shares a similar vision of everyday life and, above all, an awareness of the importance of building structure and the film as most important film. We are looking to create characters that are between appearance and truth, between superficiality and depth, and present them in a very movie theater, an art of appearances. Many of his movies have simple plots, evident. What happens on the screen in a clear and understandable, with a structure absent conscious that the story does take more than a turn of events chronicled. But the result is always challenging, engaging and very rich, both the narrative and aesthetic or cultural. And it was a 'bon vivant', a 'gourmet', a hot with a corrosive sense of humor applied to the French provincial bourgeoisie, which lacked its serious and solemn fellow 'nouvelle vague'.

The Butcher (Le Boucher, 1970) is one of the absolute masterpieces of the copious Chabrol filmography, and perhaps the most exciting movie. Attribute the latter to the great French filmmaker always tried to avoid replacing it for the most ferocious irony. It is therefore a unique film, and certainly possible, immune to the passage of time. "

The talk and subsequent screening will be in Field of Culture of the English Court (Paseo Independencia, 11, 2 nd floor) at after 18:30 hours and free entry space is available.